The Performing Body: kinesic codes in Wole Soyinka's Drama
The powerful presence of the theatricalised post-colonial body, suggests that foregrounding corporeality can be a highly positive, active strategy for staging traditional enactments such as ritual. As a culturally coded activity, dance, for example, has a number of important functions in drama: not...
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| Format: | conferenceObject |
| Language: | eng |
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2016
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| Online Access: | http://hdl.handle.net/10314/2456 |
| Country: | Portugal |
| Oai: | oai:bdigital.ipg.pt:10314/2456 |