When gold stops glittering: corrosion mechanisms of René Lalique's Art Nouveau jewellery

ABSTRACT: Art Nouveau jewellery created by René Lalique is presently corroded. To identify the corrosion processes, Au-Ag-Cu alloys with compositions comparable to those used in the René Lalique’s jewellery were fabricated to be exposed to sulphide-containing environments. Using SEM-EDS, XRD, UV-Vis...

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Bibliographic Details
Main Author: Tissot, I. (author)
Other Authors: Correia, Jorge (author), Monteiro, Olinda C. (author), Barreiros, M. Alexandra (author), Guerra, M. F. (author)
Format: article
Language:eng
Published: 2020
Subjects:
Online Access:http://hdl.handle.net/10400.9/3188
Country:Portugal
Oai:oai:repositorio.lneg.pt:10400.9/3188
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Summary:ABSTRACT: Art Nouveau jewellery created by René Lalique is presently corroded. To identify the corrosion processes, Au-Ag-Cu alloys with compositions comparable to those used in the René Lalique’s jewellery were fabricated to be exposed to sulphide-containing environments. Using SEM-EDS, XRD, UV-Vis spectroscopy and ellipsometry, it was for the first time demon-strated that at the surface of tarnished Au alloys forms a corrosion film with a layer-by-layer structure. Considering the complex refractive indices of bulk Cu and Ag oxides and sulphides, a two-step corrosion mechanism was proposed. The formation of Cu-based compounds during the early corrosion stages is followed by the formation of Ag-based compounds. The thinness of the formed film, shown for one of the gold alloys to be of 80 nm, is due to a corrosion kinetics controlled by the presence of Au and by the formation of an Au-S self-assembled monolayer. The corrosion mechanism of gold alloys raises a new conservation challenge concerning the removal of nanometric layers.