Decolonization in, of and through the archival “moving images” of artistic practice
This essay investigates the ways in which contemporary artistic practices have been working towards an epistemic and ethico-political decolonization of the present by means of critical examinations of several sorts of colonial archives, whether public or private, familial or anonymous. Through the l...
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| Format: | article |
| Language: | por |
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2016
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| Online Access: | https://doi.org/10.17231/comsoc.29(2016).2413 |
| Country: | Portugal |
| Oai: | oai:journals.uminho.pt:article/1645 |