Razza cagna: mondo movies, the white heterosexual male gaze, and the 1960s–1970s imaginary of the nation
This article investigates the role, reception, and socio-cultural, political relevance of mondo movies in the context of late 1950s–early 1980s film and documentary. The mondo genre debuted with reportage films about sexuality in Europe and reached its pinnacle with Gualtiero Jacopetti’s assemblage...
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| Format: | article |
| Language: | eng |
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2018
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| Online Access: | http://hdl.handle.net/10316/84826 |
| Country: | Portugal |
| Oai: | oai:estudogeral.sib.uc.pt:10316/84826 |