The materials and techniques of polychrome baroque wooden sculpture: three works from Baião, Portugal, studied by an integrated, complementary analytical approach
Three polychrome wooden sculptures, made between the last quarter of the 17th century and the first half of the 18th century, from a monastery in Northern Portugal, representing an episode of the Passion of Christ, were analysed with three aims: to identify the materials and techniques employed; to...
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| Outros Autores: | , , |
| Formato: | article |
| Idioma: | eng |
| Publicado em: |
2011
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| Assuntos: | |
| Texto completo: | http://hdl.handle.net/10400.14/4805 |
| País: | Portugal |
| Oai: | oai:repositorio.ucp.pt:10400.14/4805 |