Stalker (1979) de Andrei Tarkovsky. A procura do espaço idealizado
The movie Stalker (1979), from Russian director Andrei Tarkovksy, appears as a respite between two artistic fields whose separation is merely illusory, and marks the culmination of an academic formation always associate with parallel urges, with divergent concerns that find here the possibility to c...
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| Format: | masterThesis |
| Language: | por |
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2017
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| Online Access: | https://hdl.handle.net/10216/109994 |
| Country: | Portugal |
| Oai: | oai:repositorio-aberto.up.pt:10216/109994 |