“Artworks, unlike terrorists, change nothing": Salman Rushdie and September 11
This essay sets out to demonstrate that rather than being an instance of fission, Rushdie’s most recent literary journalism as well as his latest novels, in particular Shalimar the Clown (2005), are the ultimate product of fusion, in the way that they result from the synthetic encounter – not disint...
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| Format: | article |
| Language: | eng |
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2017
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| Online Access: | http://hdl.handle.net/10451/30207 |
| Country: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/30207 |