The Louvre going APESHIT: audiovisual re-curation and intellectual labour in The Carters’ Afrosurrealist music video
This article offers a reading of the APESHIT music video by the duo The Carters (Beyoncé and Jay-Z) as an Afrosurrealist intervention in the White space of the Louvre. Against the backdrop of calls for decolonizing archives and public institutions such as the university and the museum, and arguing f...
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| Formato: | article |
| Idioma: | eng |
| Publicado em: |
2021
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| Texto completo: | http://hdl.handle.net/10451/50164 |
| País: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/50164 |