Alexander Scriabin: the definition of a new sound space in the crisis of tonality
This dissertation describes the new compositional system introduced by Scriabin in 1909– 1910, focusing on Feuillet d’Album op. 58, Poème op. 59, nº1, Prélude op. 59, nº2 and Promethée op. 60. Based upon exhaustive pitch and formal analysis the present study (a) claims the inexistence of non-functio...
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| Formato: | doctoralThesis |
| Idioma: | eng |
| Publicado em: |
2016
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| Texto completo: | http://hdl.handle.net/10174/19157 |
| País: | Portugal |
| Oai: | oai:dspace.uevora.pt:10174/19157 |