Scenic appropriation of representation systems from the past, and its ideological dimension
[Excerpt] In 2013, when mala voadora – the theatre company I belong to – reached its 10th year of existence, I published a catalogue with a few sets and gave it the title ways of doing nothing. I’m more fond of manipulating things that already exist than designing new things from scratch. As an exam...
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| Format: | conferenceObject |
| Language: | eng |
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2016
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| Online Access: | http://hdl.handle.net/1822/54050 |
| Country: | Portugal |
| Oai: | oai:repositorium.sdum.uminho.pt:1822/54050 |