O primado da ambivalência corpórea: Eraserhead como dupla alegoria
Considering the film Eraserhead (David Lynch, 1977) an ode to the body in both its outward and inward manifestations, this article compares the body as it is represented in the film, through the physical and psychical depiction of characters, with the cinematic medium and its conventions. The articl...
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| Format: | preprint |
| Language: | por |
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2016
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| Online Access: | http://hdl.handle.net/10400.21/6404 |
| Country: | Portugal |
| Oai: | oai:repositorio.ipl.pt:10400.21/6404 |