The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises

Colourless glass particles were identified for the first time in Portuguese paintings in two altarpieces attributed to the painter Francisco João, active between 1558 and 1595. They were found in red glazes with conservation problems. The glass was analysed by SEM-EDX and the binder by -FTIR. Portug...

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Bibliographic Details
Main Author: Melo, Helena Pinheiro (author)
Other Authors: Cruz, António João (author), Valadas, Sara (author), Cardoso, Ana Margarida (author), Candeias, António (author)
Format: article
Language:por
Published: 2022
Subjects:
Red lake
ground glass
oil painting
painting technique
painting treatises
deterioration
Online Access:http://hdl.handle.net/10174/32024
Country:Portugal
Oai:oai:dspace.uevora.pt:10174/32024

Internet

http://hdl.handle.net/10174/32024

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