The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises
Colourless glass particles were identified for the first time in Portuguese paintings in two altarpieces attributed to the painter Francisco João, active between 1558 and 1595. They were found in red glazes with conservation problems. The glass was analysed by SEM-EDX and the binder by -FTIR. Portug...
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| Outros Autores: | , , , |
| Formato: | article |
| Idioma: | por |
| Publicado em: |
2022
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| Assuntos: | |
| Texto completo: | http://hdl.handle.net/10174/32024 |
| País: | Portugal |
| Oai: | oai:dspace.uevora.pt:10174/32024 |