Subjective Appropriation of Musical Form in Schumann’s Carnaval, Op. 9
The aim of this article is to analyze musical form in german composer Robert Schumann’s works (8 June 1810 – 29 July 1856), particularly that of piano solo piece Carnaval, op. 9, trying to understand what is revealed by the way he uses it in relation to his personality, not only in artistic terms (t...
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| Other Authors: | , |
| Format: | article |
| Language: | eng |
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2019
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| Subjects: | |
| Online Access: | http://hdl.handle.net/10400.22/14537 |
| Country: | Portugal |
| Oai: | oai:recipp.ipp.pt:10400.22/14537 |