| Summary: | This paper presents the Poetic of Heterogenesis, dealing with artistic experiments with computational apparatus. Heterogenesis is dealt with as a mode of creative thinking from originated from compositions with different materials treated by Art, Science and Technology. The text correlates technological studies - Kowalski (1970), Robinson (2008), Fuller (2008) - with contemporary philosophical, social and aesthetic writings - Bishop (2012), Broeckmann (1997), Deleuze (1992; 2005), Duguet (1988), Goffey (2009) - and displaces concepts such as Apparatus, Algorithm, Composition, and Dispositive, but directs them to rise a poetic that stands between Art, Science, and Technology.
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