Collective reception and their transformations: from affective participation in movie theatres to the effective participation in interactive installations
From an analysis conducted by Walter Benjamin on the collective reception that is to be determined in Modernity, especially with the consolidation of Cinema as a product of cultural industry, this paper seeks to identify the changes that repositioned the viewer and that led to a behavioral changes i...
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| Formato: | article other |
| Idioma: | por |
| Publicado em: |
2010
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| Texto completo: | https://seer.ufrgs.br/index.php/intexto/article/view/8390 |
| País: | Brasil |
| Oai: | oai:seer.ufrgs.br:article/8390 |