The presence of coloniality in Latin American feminist cinema

This article investigates how coloniality is present in some narratives developed by Latin American feminist cinema produced between the 1960s and 1970s through the analysis of three films: Araya, by Margot Benacerraf (Venezuela, 1959), De cierta manera, by Sara Gómez (Cuba, 1974) and A propósito de...

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Bibliographic Details
Main Author: Noronha, Danielle Parfentieff de (author)
Other Authors: Ezequiel, Maíra (author)
Format: article
Language:por
Published: 2022
Subjects:
cinema
colonialismo
colonialidade
feminismo
América Latina
cine
colonialidad
Cinema
Colonialism
Coloniality
Feminism
Latin America
Online Access:https://doi.org/10.1590/1806-9584-2022v30n180240
Country:Brazil
Oai:oai:periodicos.ufsc.br:article/80240

Internet

https://doi.org/10.1590/1806-9584-2022v30n180240

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