The presence of coloniality in Latin American feminist cinema

This article investigates how coloniality is present in some narratives developed by Latin American feminist cinema produced between the 1960s and 1970s through the analysis of three films: Araya, by Margot Benacerraf (Venezuela, 1959), De cierta manera, by Sara Gómez (Cuba, 1974) and A propósito de...

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Detalhes bibliográficos
Autor principal: Noronha, Danielle Parfentieff de (author)
Outros Autores: Ezequiel, Maíra (author)
Formato: article
Idioma:por
Publicado em: 2022
Assuntos:
cinema
colonialismo
colonialidade
feminismo
América Latina
cine
colonialidad
Cinema
Colonialism
Coloniality
Feminism
Latin America
Texto completo:https://doi.org/10.1590/1806-9584-2022v30n180240
País:Brasil
Oai:oai:periodicos.ufsc.br:article/80240

Texto Completo

https://doi.org/10.1590/1806-9584-2022v30n180240

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