Moi, je, moi-même : l’altérité dans les champions du box-office du cinéma
This work aims to reflect on the symbolic conditions (Durand, Bachelard) that, in cinema, can take part of the image of success. This, considered in its requirements of consensus and collective adhesion, is defined from the premise of the Imaginary Studies on the representations of the logical princ...
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| Formato: | other article |
| Idioma: | fra |
| Publicado em: |
2021
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| Texto completo: | http://hdl.handle.net/10183/219971 |
| País: | Brasil |
| Oai: | oai:www.lume.ufrgs.br:10183/219971 |