O lugar do espectador na obra de Helena Almeida : a experiência de ser pintura
This article’s goal is to analyze how the curatorial project of the exhibition — “Helena Almeida: My work is my body, my body is my work” — confronts key ideas attributed to the artist’s work. Taking other readings into consideration is intended to present the terms of a (re) reading of the artist’s...
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| Format: | article |
| Language: | por |
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2019
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| Online Access: | http://hdl.handle.net/10451/37343 |
| Country: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/37343 |
| Summary: | This article’s goal is to analyze how the curatorial project of the exhibition — “Helena Almeida: My work is my body, my body is my work” — confronts key ideas attributed to the artist’s work. Taking other readings into consideration is intended to present the terms of a (re) reading of the artist’s work within the exhibition’s framework. In conceptual terms this (re) reading is based on the assumption that the artist’s work since the 60s is a pure assertion of painting, even when the artist’s practice is extended to other media |
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