Twin Peaks como alegoria daimónica cinematográfica
For a long time the allegorical activity was considered dogmatic and equated with artistic fossilization, archaic religious propensity and lack of creativity. However, Walter Benjamin (1928) and Paul De Man (1969), among other illustrious thinkers, came to its defense, exalting, instead, its cryptic...
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| Format: | article |
| Language: | por |
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2014
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| Online Access: | http://hdl.handle.net/10400.21/3719 |
| Country: | Portugal |
| Oai: | oai:repositorio.ipl.pt:10400.21/3719 |