‘White People All Over’: Refugee Performance, Fictional Aesthetics, and Dramaturgies of Alterity-Empathy
This article by Graça P. Corrêa and Szabolcs Musca follows the production process of Passajar, an immersive participatory theatre project collaboratively created by four theatre-makers and refugees from Congo, Iran, Iraq, Syria and Zimbabwe. Developed under the curatorship of Portuguese choreographe...
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| Format: | article |
| Language: | eng |
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2020
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| Online Access: | http://hdl.handle.net/10451/44399 |
| Country: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/44399 |