Disposability and ordinariness in the New Europe of Damjan Kozole’s Spare Parts
This chapter studies the early twenty-first-century representation of disposability, violence, and differentiated citizenships in Damjan Kozole’s cross- border film Spare Parts (2003). The emphasis of the analysis lies on the imaginaries of disenfranchisement involving the migrant characters – who m...
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| Format: | bookPart |
| Language: | eng |
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2019
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| Online Access: | http://hdl.handle.net/10451/38076 |
| Country: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/38076 |