Allographic translation, self-translation and alloglottic rewriting : towards a digital edition of poetry by Pedro Homem de Mello
This chapter focuses on a series of interlingual materials related to the genetic dossier of 20th-century Portuguese author Pedro Homem de Mello (1904-1984), whose poetry is the object of an ongoing digital edition. Such documents may be organised into two main categories: a group of allographic tra...
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| Formato: | bookPart |
| Idioma: | eng |
| Publicado em: |
2022
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| Texto completo: | http://hdl.handle.net/10451/45789 |
| País: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/45789 |
| Resumo: | This chapter focuses on a series of interlingual materials related to the genetic dossier of 20th-century Portuguese author Pedro Homem de Mello (1904-1984), whose poetry is the object of an ongoing digital edition. Such documents may be organised into two main categories: a group of allographic translations (made by other persons than the poet) and a series of authorial witnesses, ranging from self-translation to alloglottic rewriting. The chapter starts by presenting examples of some of these occurrences and analyses their theoretical implications for an edition with a genetic orientation. It then proceeds to elaborate on the editorial approach adopted in the project and the use of the electronic medium to organise the digital archive. |
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