Film Noir and the Folding of America: a Reading of Out of the Past (1947) and Impact (1949)
In his well-known work Le Plis: Leibniz et le baroque (1988), Gilles Deleuze proposes that the fold be understood as the central, “operative” concept of the Baroque, arguing that this figure allows us to grasp the seemingly paradoxical projection of space as differentiation-within-extension—i.e. as...
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| Formato: | bookPart |
| Idioma: | eng |
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2020
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| Texto completo: | http://hdl.handle.net/10400.2/9607 |
| País: | Portugal |
| Oai: | oai:repositorioaberto.uab.pt:10400.2/9607 |