Blindfolded Eyes and the Eyable Being: Pessoa, the senses, and the 35 Sonnets
This article revisits Pessoa’s heteronymism (as performativity) in relation to the old issue of poetic unity/diversity. It examines Pessoa’s espistemological skepticism, while handling the five senses in the 35 Sonnets, in comparison and contrast with his so-called “obscene poems” and the rest of hi...
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| Format: | article |
| Language: | eng |
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2016
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| Online Access: | http://hdl.handle.net/10316/41745 |
| Country: | Portugal |
| Oai: | oai:estudogeral.sib.uc.pt:10316/41745 |