Blindfolded Eyes and the Eyable Being: Pessoa, the senses, and the 35 Sonnets
This article revisits Pessoa’s heteronymism (as performativity) in relation to the old issue of poetic unity/diversity. It examines Pessoa’s espistemological skepticism, while handling the five senses in the 35 Sonnets, in comparison and contrast with his so-called “obscene poems” and the rest of hi...
| Autor principal: | |
|---|---|
| Formato: | article |
| Idioma: | eng |
| Publicado em: |
2016
|
| Assuntos: | |
| Texto completo: | http://hdl.handle.net/10316/41745 |
| País: | Portugal |
| Oai: | oai:estudogeral.sib.uc.pt:10316/41745 |
| Resumo: | This article revisits Pessoa’s heteronymism (as performativity) in relation to the old issue of poetic unity/diversity. It examines Pessoa’s espistemological skepticism, while handling the five senses in the 35 Sonnets, in comparison and contrast with his so-called “obscene poems” and the rest of his poetry. |
|---|