’Tough ain’t enough’: Representation of Personal Identity in Clint Eastwood Films
By reflecting on films such as Unforgiven (1992), A Perfect World (1993), Gran Torino (2008), and especially Million Dollar Baby (2004), we intend to examine in a critical manner the way the hero and his personal identity are portrayed and thought of in Clint Eastwood films. The aim of this study is...
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| Formato: | article |
| Idioma: | eng |
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2016
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| Texto completo: | http://hdl.handle.net/10451/22752 |
| País: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/22752 |