Transvase: quando a ficção invade a realidade
ABSTRACT: Adopting the concept of metalepsis, as explained by Gérard Genette, I intend to tackle the miscegenation of ontological worlds as practiced in metacinematic films dealing either with the creator or the spectator and made famous with Woody Allen’s film The Purple Rose of Cairo (1985, EUA)....
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| Format: | article |
| Language: | por |
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2013
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| Online Access: | http://hdl.handle.net/10400.21/3016 |
| Country: | Portugal |
| Oai: | oai:repositorio.ipl.pt:10400.21/3016 |