Luminaris : sob a luz do cinema de atrações
The object of this paper is to present how a medium carries in his image, movements and aesthetics of other audiovisual medium. The focus is on the animation in Pixilation, Luminaris (2011), by Juan Pablo Zaramella internationally awarded, which even with the artificial creation of movements, presen...
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| Formato: | article |
| Idioma: | por |
| Publicado em: |
2019
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| Texto completo: | http://hdl.handle.net/10451/38965 |
| País: | Portugal |
| Oai: | oai:repositorio.ul.pt:10451/38965 |
| Resumo: | The object of this paper is to present how a medium carries in his image, movements and aesthetics of other audiovisual medium. The focus is on the animation in Pixilation, Luminaris (2011), by Juan Pablo Zaramella internationally awarded, which even with the artificial creation of movements, presents visual similarity with the early productions of Cinema, as Trip to the Moon (1902), by Georges Méliès |
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