Invisibleevidence – BlowJob, avant-garde, documentaryand pornography
This essay intends to reflect on the dialogue documentary domain and pornography focusing on the principle of the maximum visibility, common to both domains. In order to approach such dialogue – its strength, limits and implications – we will analyze BlowJob (Andy Warhol, 1963/64), a film that is ne...
| Autor principal: | |
|---|---|
| Formato: | article |
| Idioma: | por |
| Publicado em: |
2011
|
| Assuntos: | |
| Texto completo: | https://doi.org/10.15448/1980-3729.2011.2.9470 |
| País: | Brasil |
| Oai: | oai:ojs.revistaseletronicas.pucrs.br:article/9470 |